Adult cinema opened the doors for each of these actresses, knowing how to find in them the charm of a disposition for sexual adventures, allowing them to enter one of the most powerful industries in the world. They managed to survive with style and intelligence, as they knew how to withdraw in time from the decline of a genre of cinema that rapidly consumes its artists and is brutally despised by the very society that consumes it. A hypocrisy that is common in all communities.
But they managed to get out of the “ghetto” and become actresses with no other story but that of their characters. Strong women, even young and talented young women: May the strength accompany them! Now let’s meet these five actresses who made their debut in adult cinema, but they show their talent when they were teen stars.
Building a film story about a momentous moment for a people is a great challenge. To live up to the dreams of its protagonists (some with a media presence and others from the intimacy of anonymity) and to be able to share it with an audience beyond the borders is almost a humanitarian action given that thousands of people only relate to “other worlds” thanks to the big screen. Invictus comes to intervene right in that enterprise; he recovers the story of Nelson Mandela, leader of the ethnic liberation of South Africa, of his attempts once elected president to guarantee the end of the apartheid racial exclusion system and the construction of a democracy without discrimination on the basis of skin colour or religion.
Not a simple task to perform and no less to film. Clint Eastwood, a veteran actor, producer and director from the United States, chooses to focus his film on Mandela’s strategy, played by a notable Morgan Freeman, to use the 1995 Rubgy championship, in which his country was host, to bring blacks and whites closer together.
Lila (Vahina Giocante) is a beautiful 16-year-old blonde who has just moved with her aunt, who is a little crazy, to a popular neighborhood mainly populated by Arab families. Two friends fall in love with her. One is the film’s narrator, the poetic, calm and handsome Chimo (Mohammed Khouas); the other is Mouloud (Karim Ben Haddou), the prototype of the European-born Arabic pimp.
Lila approaches Chimo and insists that she look under her skirt, like mr videos de sexo. From there a game of seduction begins while Lila shows what a young woman can say with an innocent smile. They keep their relationship secret until Mouloud surprises her by saying “filthy things” and demands her share of the cake. Lila leaves and Chimo suddenly matures, finally dares to speak.